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   <title>Matthew Van Brink, composer, pianist accordionist</title>
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   <id>tag:matthewvanbrink.com,2008://1</id>
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   <subtitle>Matthew Van Brink, composer, pianist, accordionist</subtitle>
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<entry>
   <title>Life as a Cup of Tea</title>
   <link rel="alternate" type="text/html" href="http://matthewvanbrink.com/2008/06/life_as_a_cup_of_tea.php" />
   <id>tag:matthewvanbrink.com,2008://1.192</id>
   
   <published>2008-06-21T20:05:16Z</published>
   <updated>2008-06-21T20:32:38Z</updated>
   
   <summary>Two passages from Okakura Kakuzo&apos;s The Book of Tea Online version The outsider may indeed wonder at this seeming much ado about nothing. What a tempest in a tea-cup! he will say. But when we consider how small after all...</summary>
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      <![CDATA[<strong>Two passages from Okakura Kakuzo's <em>The Book of Tea</em>
<a href="http://www.sacred-texts.com/bud/tea.htm">Online version</a></strong>

The outsider may indeed wonder at this seeming much ado about nothing.  What a tempest in a tea-cup! he will say.  But when we consider how small after all the cup of human enjoyment is, how soon overflowed with tears, how easily drained to the dregs in our quenchless thirst for infinity, we shall not blame ourselves for making so much of the tea-cup.  Mankind has done worse. In the worship of Bacchus, we have sacrificed too freely; and we have even transfigured the gory image of Mars.  Why not consecrate ourselves to the queen of the Camelias, and revel in the warm stream of sympathy that flows from her altar?  In the liquid amber within the ivory-porcelain, the initiated may touch the sweet reticence of Confucious, the piquancy of Laotse, and the ethereal aroma of Sakyamuni himself.]]>
      <![CDATA[... O nectar!  The filmy leaflet hung like scaly clouds in a serene sky or floated like waterlilies on emerald streams. It was of such a beverage that Lotung, a Tang poet, wrote: "The first cup moistens my lips and throat, the second cup breaks my loneliness, the third cup searches my barren entrail but to find therein some five thousand volumes of odd ideographs.  The fourth cup raises a slight perspiration, -- all the wrong of life passes away through my pores.  At the fifth cup I am purified; the sixth cup callls me to the realms of immortals.  The seventh cup -- ah, but I could take no more!  I only feel the breath of cool wind that rises in my sleeves.  Where is <a href="http://en.wikipedia.org/wiki/Horaisan">Horaisan</a>?  Let me ride on this sweet breeze and waft away thither."]]>
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<entry>
   <title>Words on Words at Essentially Choral</title>
   <link rel="alternate" type="text/html" href="http://matthewvanbrink.com/2008/06/words_on_words_at_essentially.php" />
   <id>tag:matthewvanbrink.com,2008://1.186</id>
   
   <published>2008-06-01T16:56:04Z</published>
   <updated>2008-06-02T21:42:38Z</updated>
   
   <summary>... blogging for NewMusicBox from VocalEssence&apos;s Essentially Choral New Music readings. 1, 2, &amp; 3....</summary>
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      <![CDATA[... blogging for NewMusicBox from VocalEssence's <a href="http://www.vocalessence.org/node/640">Essentially Choral</a> New Music readings. <a href="http://newmusicbox.org/chatter/chatter.nmbx?id=5591">1</a>, <a href="http://newmusicbox.org/chatter/chatter.nmbx?id=5592">2</a>, & <a href="http://newmusicbox.org/chatter/chatter.nmbx?id=5599">3</a>.

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<entry>
   <title>Roger Angell on the Yankee Stadium Organist, circa 1985</title>
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   <id>tag:matthewvanbrink.com,2008://1.125</id>
   
   <published>2008-05-25T19:13:19Z</published>
   <updated>2008-05-27T04:09:35Z</updated>
   
   <summary><![CDATA[Roger Angell, writing in Fall 1985 Season Ticket, Houghton-Mifflin, 1988, p251-252&nbsp;&nbsp; If there is an impatient or aggrieved sound to these remarks, it is not directed at the Yankee players, whom I mostly admire and wish well.&nbsp; I would like...]]></summary>
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   <category term="17" label="baseball" scheme="http://www.sixapart.com/ns/types#tag" />
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      <![CDATA[<strong>Roger Angell, writing in Fall 1985
<em>Season Ticket</em>, Houghton-Mifflin, 1988, p251-252</strong><Br><BR><p>&nbsp;&nbsp; If there is an impatient or aggrieved sound  to these remarks, it is not directed at the Yankee players, whom I mostly  admire and wish well.&nbsp; I would like to  root wholeheartedly for the Yankees one of these days, but somebody is always  jumping up and spoiling the view &ndash; the owner, the manager, some of the  fans.&nbsp; The resonance of the game up at  the Stadium has gone sour, and often comes across as being ill-tempered,  distracted, patronizing, and frantically concerned with winning.&nbsp; That tone is perfectly represented by the  Stadium organ music &ndash; if that is the right word for the puerile and infuriated  assault of noises, nudges, and schlocky musical references with which the  management (it must be a management decision, after all) attempts to cajole the  players, bait the visitors, and whip up the helpless captive masses in the  stands.&nbsp; The mighty electronic wurstmaker  is scarcely silent for the duration of a foul tip, it seems, and its mindless  and almost ceaseless commentary abrades the fabric of the game and the soul of  the watching fan.&nbsp; This year, forcing  myself actually to listen to the thing for once, I tried to pick out the main  phrasings and modulations of a mid-inning <em>concerto  furioso</em>:<br />
  &nbsp;&nbsp;  Organ: &quot;<em>Buh</em> da-da-da-da!<em> Buh</em> da-da-da-da!<em> Buh</em> da-da!buh da-da- da-da- da-da!&quot; (theme from &quot;Ga&icirc;te  Parisienne,&quot; here repeated in mad up-tempo.) Pause.&nbsp; &quot;Tah-tah-tah-tahhh!&quot; (Beethoven's Fifth, opening theme.) Pause. ]]>
      <![CDATA[&quot;Beedle-di-deet,  dah-dah-dah-deet!&nbsp; Beedle-di-tweet,  da-da-da-tweet!&quot; (Theme from &quot;Dardanella,&quot; for seven seconds.) Pause. &quot;Tah-tah-tah-tah- ta-tahhhhhh!&quot; (The  &quot;Charge!&quot; bugle call, accompanied by a gigantic illuminated &quot;charge!&quot; command out on the  scoreboard.)Then, ominously, as Rickey Henderson comes up to bat: &quot;Buh-buh  bum-bum, buh-buh bum-bum, buh-buh bum-bum,  buh-buh bum-bum!&quot; (Shark &nbsp;music from &quot;Jaws.&quot;) Pause for the  pitch.&nbsp; Single to center field.&nbsp; Organ, joyfully: &quot;Tee-tah tattle-tah  tattle-tah!&quot; (&quot;Three  Cheers for the Red, White and Blue,&quot; quickly segueing into the  &quot;colonel Bogey March.&quot; Pause.&nbsp;  David Winfield steps in, to a low-register &quot;Grrummmm buddledy-<em>dummmm</em>!&quot; (Crypt theme: Bach?  Mussorgsky?) There is a base hit, sending Rickey to third base and bringing us  the theme from &quot;Over There&quot; (&quot;The Yanks are coming.&quot; Get  it?) <em>fortissimo, </em>and then, very quickly  an irritating repeated upbeat &quot;Blim-blim bah! Blim-blim bah! Teedle-weedle-dee  dah-blim-blim-blah!&quot; which drives me bananas for the minute or two before  I can recall it as an asinine and once nearly inescapable commercial jingle for  Campell's soup: &quot;Mhmm-hmm <em>good!</em> Mhmm-hmm <em>good!</em> That's what Campbell's soup is &ndash;  mhmm-hmm <em>good!&quot; </em>Well, enough of  this, I think, except that It should perhaps be added that whenever Mike  Pagliarulo came up to bat at the Stadium he was greeted with  &quot;Funiculi-Funicula&quot; &ndash; <em>except  for </em>the times when we heard Oh! Ma-Ma&quot; (&quot;It's the butcher boy for  me,&quot; etc.) He batted .239 for the year.</p>]]>
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